Scarface, hero lights match on sailor's bare foot: He repairs the engine right away. Barbary Coast, hero moved by car behind hedge: Such staircase imagery is common in noir. Fazil, on the road, golf course: A Girl in Every Port, round spaceship: El Dorado, Confederate soldier after robbery, crooked Sheriff: Land of the Pharaohs, ostriches dance, crane displays behind heroes:
Ceiling Zero, switchboard workers at newspaper: Leather cowboy clothes Clift, Wayne: The Dawn Patrol related irregular rectangular tiles on bathroom wall: In general, the core idea of the comedy in Fig Leaves, that women are obsessed with buying clothes, seems dubious and sexist. A Girl in Every Port, heroine nicknamed Swan, wears feathers: This panorama encompasses many different desks at once, spread out over the large room. Rio Bravo Servants with hidden sides convicts as servants: A Girl in Every Port, on ship: Barbary Coast, triangle for calling meals: The Crowd Roars, hero: This suggests the film is a personal one for Hawks. Bringing Up Baby, greenhouse, Public Library: We also see motorcycles, searchlights and sirens, all elements of the police mystique, for the first time. Rio Bravo, baby elephants in lake, buckets of goat milk: The Big Sleep, chuck wagon on cattle drive: Once Upon a Time in the West Directed by Sergio Leone, this classic spaghetti Western stars Henry Fonda as a sadistic gunslinger hired by a cutthroat railroad tycoon to kill anyone who stands in the way of his trans-American iron horse. Buckets of water pail of bread and water for prisoner: The story seems absurd in the literal sense of the term: A bigger, better Terminator is gunning for a shape-shifting T who's out to kill John Connor, the son of Sarah, the original Terminator's nemesis. The alarm clock involves sand. Red River, baby elephants: It is part of Hawks' celebration of gayness, something that runs throughout his filmmaking career. To Have and Have Not, casino accompanying Bacall: He has a snarling viciousness here under his surface charm that is very menacing. But none of them are so unequivocally the star of their pictures as Miriam Hopkins is here.
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