Producer Jules White was optimistic about the possibilities of 3D as applied to slapstick with pies and other projectiles aimed at the audience , but only two of his stereoscopic shorts were shown in 3D. The Zeiss Company in Germany manufactured glasses on a commercial basis commencing in ; they were also independently made around the same time in Germany by E. Although it was more expensive to install, the major competing realism process was anamorphic , first utilized by Fox with CinemaScope and its September premiere in The Robe. The show was hosted by the Mousketeers and was in color. Russell's particularly revealing costumes. However, even the Lippert shorts were available in the dual-strip format alternatively.
In the s, World War II prioritized military applications of stereoscopic photography and it once again went on the back burner in most producers' minds. Unlike all of the other Lippert shorts, which were available in both dual-strip and anaglyph, this production was released in anaglyph only. Early systems of stereoscopic filmmaking pre [ edit ] Fairall in Fairall's 3D camera Audience wearing special glasses watch a 3D "stereoscopic film" at the Telekinema on the South Bank in London during the Festival of Britain House of Wax , the first 3D feature with stereophonic sound. The prints had to remain exactly alike after repair, or synchronization would be lost. Furthermore, polarized light would be largely depolarized by a matte white screen, and only a silver screen or screen made of other reflective material would correctly reflect the separate images. The film was shot in "Natural Vision", a process that was co-created and controlled by M. The short is notable for being one of the few live-action appearances of the Frankenstein Monster as conceived by Jack Pierce for Universal Studios outside of their company. The science fiction film Spacehunter: The factors causing this decline were: The Italian film was made with the Gualtierotti camera; the two German productions with the Zeiss camera and the Vierling shooting system. Originally released flat through Universal-International. Carmenesque, a burlesque number starring exotic dancer Lili St. April saw two groundbreaking features in 3D: However, even the Lippert shorts were available in the dual-strip format alternatively. A string of successful films filmed in 3D followed the second wave, but many were widely or exclusively shown flat. The show was hosted by the Mousketeers and was in color. December Learn how and when to remove this template message Early patents and tests[ edit ] The stereoscopic era of motion pictures began in the late s when British film pioneer William Friese-Greene filed a patent for a 3D film process. The first decline in the theatrical 3D craze started in August and September Kate was the hill over which 3D had to pass to survive. Gunzberg, who built the rig with his brother, Julian, and two other associates, shopped it without success to various studios before Oboler used it for this feature, which went into production with the title, The Lions of Gulu. Only Comin' At Ya! Although it was more expensive to install, the major competing realism process was anamorphic , first utilized by Fox with CinemaScope and its September premiere in The Robe. The quality of the s 3D films was not much more inventive, as many were either softcore and even hardcore adult films, horror films, or a combination of both. Quite often, intermission points were written into the script at a major plot point. During the s, the familiar disposable anaglyph glasses made of cardboard were mainly used for comic books, two shorts by exploitation specialist Dan Sonney , and three shorts produced by Lippert Productions.
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